a5c7b9f00b Robocop saves the day once more. This time the half man/half robot takes on ruthless developers who want to evict some people on "their" land.
Omni Consumer Products (OCP) begins its plan for the creation of Delta City. As part of this program, a special Rehab squad headed by Commander Paul McDaggett is deployedthey evacuate the city in a forced manner tearing down part of the city. In this chaos, a young girl named Nikko is left alone and picked up by a group of citizens joining together to strike on OCP, first raiding a Police Department Armory Warehouse. Murphy is sent to the chase of this group, but he eventually ignored the order when he received a back up call from Anne Lewis and the other officers who were attacked by a group of Splatterpunks. This violation leads to the decision of finally cutting Murphy's past memories for good,he finds himself between the line of Law Enforcement and Popular Opinion when the law is beginning to be corrupted, and he is betrayed by the law he sought to uphold when Lewis is killed, and he is left for dead… all of this thanks to Directive 4: "Any attempt to arrest an officer of OCP results in Shut Down." At the same time, the new younger CEO of OCP begins relations with a Japanese Cybernetics Corporation headed by a man named Kanemitsu for Monetary support, leading into the deployment of the advanced android Otomo, a fully skilled Ninja with full human appearance, but still a machine. Slowlyall of Detroit joins the Motor City's cause, including the Police Department, McDaggett sees use for the arrested criminals to create his own army of criminals to strike down the City's militia once and for all. The only hope, Murphy overcoming the control placed on him by Directive 4, and bring down this corrupted plan.
'Robocop 3' is a real turkey that for the most part deserves it's putrid reputationone of the worst sequels of all time. It's a movie that offends me really more for the thought process behind it and for the aftermath it had on the career of director Fred Dekker. The film suffers because it has a violent tonal difference from it's far superior predecessors and any fan of those films is bound to be offended here. 'Robocop 3' is made solely for children because Orion thought they could sell toys. It's a kind of offensively ironic thought really because 'Robocop' is a movie that blatantly is about commercialism stealing the soul. I thinkit's own piece 'Robocop 3' is merely a forgettable action film buta sequel it is a slap in the face to the mythology and the fans. <br/><br/>'Robocop 3' feelsthough you can feel Orion breath down the neck of the film. It is a children's film and it's a children's film in the worst possible way. It playsif it thinks kids are stupid. This is a quintessential flaw, children are intelligent especially with adventure films. Why are films like 'Star Wars' or 'Superman' so brilliant at capturing the imagination of children and adults alike? Because they take time to develop a mythology and characters that are engrossing and spark the imagination. 'Robocop 3' is a sequel to two very adult films that have a mythology that deals with very adult themes that are beyond children's capacities. Gone completely in 'Robocop 3' is the violent anti-capitalist satire but even more important is the themes of losing one's humanity. Alex Murphy does not want to be Robocop. Robocop is a perversion of the laws of life and death and the first film is an exploration of what it is to be human. Sure Robocop looks cool but the aesthetics hide a troubled soul seeking to reclaim it's self. 'Robocop 3' is all about celebrating the cool looking aesthetics because they sell toys and not caring about what lie underneath. There is some aspects of the Alex Murphy resurrection story trying to fight their way to the surface here but they are ruined by the fact that this film can't play with them because they might scare children and so instead we get rock'em sock 'em jetpacks. 'Robocop 3' probably shouldn't have been made. There really wasn't anything left to tell in the story. That being said I think Dekker and crew had the foundations upon which to build something had they not been told to make a children's films. I like the idea of an armed resistance finally fighting OCP because it is very much a natural endpoint to what Verhoven set up in the original. The problem is that in order to do this story right you have to go into some radical leftist territory that doesn't sell tickets or toys. <br/><br/>Fred Dekker takes a great deal of criticism for the film's failure and I don't think that is particularly fair. If anything this film is above a bomb rating because Dekker can effectively stage really brilliant action sequences. I think 'Robocop 3' could have been a lot of fun had they given Dekker complete creative control. 'Night of the Creeps' is a very funny and visually fun gory horror film and a 'Robocop 3' made in those lines would have been an effective fun end to the trilogy. I like the action scenes provided that some of the stupid dialogue is taken away.<br/><br/>The film is just a mess and a missed opportunity. I like to think that somehow this film could have been good and Fred Dekker would get the respect he deserves and that this great series would have had a proper ending. The problem is you can see a film company perverting something profound in order to make money. Orion was kind of like OCP in that regard…
I had avoided this movie for years, being a huge fan of the original and a slight fan of the sequel, I knew this franchise was headed straight for the basement but I did not want to personally go there.<br/><br/>Well finally I caught up with this movie on TV, and I was just about dead on. Its bad, its worse than bad. I mean there are so many missed opportunities here its hard to count them all. And so many boring tired clichés that it boggles the mind.<br/><br/>Its almost like the director was hired at the last minute and had no love for the project or material, to say he phoned it in is a huge understatement.<br/><br/>Just one example out of potentially thousands, why have Robocop chase the van with his hand out the window hole? Why wouldn't he just smash the windows out totally so he could aim and shoot at will? Was the windshield of the car giving him protection? Did he need it there to keep the bugs out of his teeth? Its like nothing was thought through in this film, they all seemed to show up, get their paychecks, smile, and go home, and nothing else.<br/><br/>A sad, painful and pitiful death for what could have been a great series.
The movie, which is deadly slow and full of Japanese-bashing, is also an undisguised merchandising promo.
Omni Consumer Products (OCP) has been bought out by Kanemitsu Corporation, a Japanese robotics company, and they have begun the Delta City makeover of crime-ridden Old Detroit, Michigan, by employing a ruthless mercenary outfit dubbed Urban Rehabilitation Officers (Rehabs for short) under the command of Paul McDaggett (<a href="/name/nm0145284/">John Castle</a>) to drive people out of their homes. In the chaos, 9-year-old Nikko (<a href="/name/nm0752802/">Remy Ryan</a>) becomes separated from her parents and is taken in by an underground resistance group fighting against the takeover. When Kanemitsu (<a href="/name/nm0538683/">Mako</a>) sends in his own Ninja android Otomo (<a href="/name/nm0516726/">Bruce Locke</a>), RoboCop Murphy () and his partner Officer Anne Lewis (<a href="/name/nm0000262/">Nancy Allen</a>) have to decide where their loyalties lie: with the people of Detroit or with the OCP. RoboCop 3 is the third movie in the RoboCop series, preceded by <a href="/title/tt0093870/">RoboCop (1987)</a> (1987) and <a href="/title/tt0100502/">RoboCop 2 (1990)</a> (1990). The screenplay for RoboCop 3 was written by American graphic novelist Frank Miller and RoboCop 3 director Fred Dekker, based on characters created by American screenwriters Edward Neumeier and Michael Miner for Robocop. Major themes of the plot were taken from Miller's original (rejected) draft of RoboCop 2, which was eventually turned into a nine-part comic book series called Frank Miller's RoboCop (2007) by Frank Miller and Juan Jose. The series has been rebooted with <a href="/title/tt1234721/">RoboCop (2014)</a> (2014). <a href="/name/nm0000693/">Peter Weller</a> was filming <a href="/title/tt0102511/">Naked Lunch (1991)</a> (1991) at the time. Consequently, Robert John Burke was brought in to play Murphy instead. (Similar was the case with Daniel O'Herlihy who portrayed the Old Man. He was off working on Twin Peaks (1990-1991) and other projects, so Rip Torn was castthe CEO, a new character having roughly or exactly the same role in the OCP hierarchythe Old Man did/would.) Having defeated Otomo, RoboCop puts on his flying pack to recharge. Meanwhile, the Detroit police have all quit the OCP and are currently fighting with the Cadillac Heights resistance against the Rehabs. Just when it looks like the Rehabs are winning, Murphy comes flying in and hits them with a smart bomb. He then flies to the OCP building and confronts McDaggett, charging him with the murder of Anne Lewis. Suddenly, Murphy is attacked by two more Otomos, but Nikko is able to reprogram them from her wireless laptop computer to decapitate each other. Unfortunately, the Otomos were programmed with a thermal fail-safe device set to explode. Murphy puts his flying pack back on and airlifts Nikko and Doctor Lazarus (<a href="/name/nm0005007/">Jill Hennessy</a>) from the building, leaving McDaggett behind. The Otomos explode, taking out the whole top of the OCP building. In the streets, the residents are already cleaning up. Kanemitsu and the CEO of OCP arrive in their cars. The CEO (<a href="/name/nm0001800/">Rip Torn</a>) suggests they gentrify the neighborhood with strip malls, fast food chains and popular entertainment, but Kanemitsu fires him on the spot and, instead, bows to Murphy in honor. In the final scene, the CEO asks Murphy what he's called, "Murphy, is it?" Murphy replies, "My friends call me Murphy. You call me RoboCop." The original RoboCop film, RoboCop 2, RoboCop 3, the RoboCop TV series and then RoboCop: Prime Directives. Supposedly the timeline starts in 2015 (as perhaps revealed in one of the series); the second film taking place within months of the first, the third film taking place five years after the the second film, the first series taking place within months of the third film, and Prime Directives (the second series, a miniseries) taking place eight years after the first series. Due to the strict policy of the British Board of Film Classification (BBFC) with regard to martial arts weapons, two short scenes featuring a nunchaku are cut in the old VHS version (rated 15). The DVD by Columbia features the same cuts, whereas the DVD by MGM was released uncensored in the UK.
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